Died On This Date (July 18, 2012) Ms. Melodie / Boogie Down Productions
themusicsover Ms. Melodie (Born Ramona Scott)
DOB Unknown – July 18, 2012
Ramona Scott, known professionally as Ms. Melodie, was a rapper and MC who was part of her one-time husband, KRS-One’ s group, Boogie Down Productions. She remained with the outfit until their divorce in 1992. Born in Brooklyn, New York, Scott released her first 12″ record, “Hype According To Ms. Melodie” in 1988. She followed that up with her one and only album, the mostly KRS-One produced, Diva in 1989. The album featured the hits, “Live On Stage” and “Wake Up, Wake Up,” which cracked the top 20 of Billboard’s Rap Singles Chart. Both received significant video airplay on MTV and other outlets. On July 18, 2012, it was announced that Ramona Scott passed away earlier that day. Cause of death was not immediately released.
Thanks to Paul Bearer for the assist.
What You Should Own
Scott “La Rock” Sterling was a social worker and DJ when he met rapper KRS-One in 1986. The two along with D-Nice, formed rap group Boogie Down Productions in 1986. The group helped usher in what would later be called gansta rap with their gritty songs that married dancehall reggae with hip hop. Their debut hit album, Criminal Minded is considered a cornerstone of the genre. Scott Sterling died in a hospital operating room shortly after being shot by alleged hoods in the South Bronx. He was just 25.
Known as the “Godfather Of Rocksteady,” Alton Ellis was a Jamaican musician who took the elements of ska and slowed them down to a more relaxed beat. It in turn, paved the way for what we now know as reggae. A prolific singer, Ellis began his career with Eddy Perkins in the late ’50s as part of a duo, Alton & Eddy, who scored a big Jamaican hit with their “Muriel.” In the early ’60s, he formed his group, the Flames just as ska was taking hold throughout Jamaica. He slowed the beat down and recorded a hit song called “Rock Steady” which became the new genre’s name. In 1967, he recorded a song called “Mad Men” that included a three-note descending horn line which became became a constant in more than 100 reggae songs to follow. Reinterpretations of it can be heard in hip-hop songs by the likes of 