Post Punk

Fred Smith, Bassist and Founding Member of Television, Dead at 77

Photo Credit: Bene Riobó via wikmedia

Fred Smith, born April 10, 1948, in New York City, the bassist whose disciplined, melodic playing helped anchor Television at the height of New York’s punk-era explosion, passed away on February 5, 2026 following a long illness. He was 77.

Smith joined Television in 1975, stepping into the band after the departure of Richard Hell. His entrance quietly reshaped the group’s internal balance. Where punk often leaned on volatility, Smith brought steadiness, patience, and an instinct for structure, giving Television’s music its sense of control beneath the tension.

That role is etched most clearly into the band’s 1977 debut, Marquee Moon. As guitars stretched, twisted, and collided, Smith’s bass lines held the center, providing a calm, deliberate pulse that allowed songs to expand without drifting apart. His playing rarely called attention to itself, yet it defined the band’s sound, acting as the stabilizing force between Tom Verlaine and Richard Lloyd. Television followed with Adventure in 1978 before splitting soon after.

In the years that followed, Smith remained active, contributing to solo work by Verlaine and Lloyd and returning when Television reunited for their 1992’s Television and subsequent performances.

Away from the stage, Smith built a life far removed from music. In 1999, he and his wife, artist Paula Cereghino, began making wine in their New York apartment, eventually moving production upstate and formally establishing Cereghino Smith Winery in 2007. It was a second act defined by the same qualities that shaped his music: care, precision, and attention to detail.

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Kenny Morris, Original Siouxsie and the Banshees Drummer, Dead at 68

Photo Credit: Public Domain via wikimedia

Kenny Morris, the original drummer of Siouxsie and the Banshees and a key architect of their earliest sound, died on January 15, 2026 at the age of 68.

Born Febuary 1, 1957, Morris was there at the beginning, emerging from London’s first-wave punk scene and helping shape the Banshees at their most stark and confrontational. Alongside Siouxsie Sioux and Steven Severin, he played on the band’s first two albums, The Scream (1978) and Join Hands (1979), records that helped define the dark, disciplined edge of post-punk.

His drumming style was physical and uncompromising, driven more by tension and atmosphere than flash. Heavy toms, martial rhythms, and a sense of restraint gave early Banshees songs their cold intensity, setting them apart from both punk’s chaos and rock’s excess. Those performances became a foundation for a band that would go on to influence goth, alternative rock, and generations of post-punk musicians.

Before recordings, Morris was already part of Banshees lore, appearing at the band’s incendiary early shows, including the 100 Club Punk Festival, a flashpoint moment that helped ignite the UK punk movement. His tenure captured the group in its rawest form, when structure and danger existed side by side.

Morris left Siouxsie and the Banshees in 1979 and was later replaced by Budgie, whose arrival marked a new chapter in the band’s evolution. Afterward, Morris remained connected to the underground spirit that shaped him, co-founding the Moors Murderers (later known as the Moors), a confrontational project emblematic of punk’s more extreme impulses.

In later years, Morris moved away from the spotlight, spending time in Ireland and working in the arts while remaining a revered figure among those who understood how crucial the early days were.

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Died On This Date (November 26, 2023) Geordie Walker / Killing Joke Guitarist

Kevin “Geordie” Walker
December 18, 1958 – November 26, 2023

Photo by Tuomas Vitikainen via wikimedia

As originally reported by Ben Beaumont-Thomas in The Guardian, Kevin “Geordie” Walker, the influential guitarist of industrial rock band Killing Joke, whose distinctive and textured guitar tones resonated across generations of musicians, passed away at the age of 64, having succumbed to a stroke.

Walker’s guitar style was a complex tapestry that bridged the shoegaze movement with the urgency of punk, the melodic sensibilities of pop, and the weight of heavy metal. Alongside frontman Jaz Coleman, he stood as the only constant member of Killing Joke since its inception in 1978.

Born in County Durham in 1958 and raised in Buckinghamshire, where he earned the affectionate nickname “Geordie,” Walker responded to Coleman’s advertisement in the music press, proclaiming himself as the greatest guitarist despite having only played in his mother’s bedroom. Coleman recalled their first meeting, noting, “When he did play, it was like a fire from heaven.”

The band’s self-titled debut album, released in 1980, garnered critical acclaim and cracked the UK Top 40. Following a period in Iceland, where they dabbled in unconventional activities, including hashish dealing, Walker and Coleman returned to London, refining their sound and achieving commercial success with the 1985 album Night Time, featuring the hit single “Love Like Blood.”

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