Thomas “Fats” Waller
May 21, 1904 – December 15, 1943
Fats Waller was a jazz pianist and songwriter who came to prominence during the mid ’20s. Over the course of his short career, he penned more than 400 songs, most notably, “Ain’t Misbehavin’,” “Honeysuckle Rose,” and “Squeeze Me.” According to legend, Waller was in such demand as a performer that in 1926, he was taken at gunpoint while leaving a gig in Chicago. The next thing he knew, he was brought to building that was housing a big party and forced to take a sit at the piano and play. He quickly realized he was the entertainment for Al Capone’s birtheday party. He supposedly played for the better part of three days and was rewarded with thousands of dollars in tips. Waller continued to compose, record and tour well into the ’30s. In December of 1943, he came down with pneumonia and died as a result of it at the age of 39.
Dinah Washington (Born Ruth Jones)
August 29, 1924 – December 14, 1963
Dinah Washington was one of popular music’s most influential R&B, jazz and blues singers. Over a career that spanned just 20 years, she charted over 30 records in the U.S. and U.K. Washington learned to play the piano as a child, and by her teens, she was singing in local gospel groups. By eighteen, she was singing with Lionel Hampton’s band, and within a year, she was making her own recordings. Over the course of her career she charted with such songs as “Baby (You’ve Got What It Takes),” (with Brook Benton), “Unforgettable,” and “What a Difference a Day Makes,” which won her a Grammy in 1959. Dinah Washington reportedly struggled with weight issues and was taking diet pills when, on December 14, 1963, she died of an accidental overdose when she mixed them with alcohol. She was just 39 when she died.
Ahmet Ertegun was arguably the most celebrated record label executives in the history of recorded music.In 1947, he and Herb Abramson formed Atlantic Records to focus on R&B, jazz and gospel music. Over the next decade, they brought Ertegun’s brother, Nesuhi Ertegun, and Jerry Wexler on board, while building an artist roster that included Ray Charles, Ruth Brown, and Big Joe Turner. By putting more focus on the development of their artists’ talents and careers, Atlantic Records quickly established itself as one of popular music’s premier labels. When the ’60s hit, Ertegun and other head’s of the label decided to broaden its focus to include soul and rock, signing such acts as Otis Redding, Aretha Franklin, Wilson Pickett, Led Zeppelin, and Crosby, Still, Nash & Young. The Erteguns sold Atlantic to Warner Bros. in 1969, but Ahmet stayed involved for many years to come. On October 29, 2006, Ertegun fell and hit his head on the concrete floor, while in the VIP backstage area of a Rolling Stones concert. He sustained head injuries that eventually lead to a coma. On December 14 of that same year, Ahmet Ertegun, 83, passed away.
Frank Zappa was one of popular music’s most creative forces. As a musician, composer, and producer, his 60+ albums crossed most genres while influencing countless artists in their wake. One of Zappa’s unique talents was that he could could just as easily produce a pop rock hit as he could an avant garde movement, while not losing a fan in the process. The bottom line, he was one of popular music’s most difficult to categorize, and beloved for being so. Zappa’s interest in music began when he was a sickly child. Due to his ailments, the Zappa family moved from the east coast to southern California so he could live in a warmer climate. He began collecting all kinds of records when he was still a pre-teen, and that early exposure to such diverse genres as R&B, avant garde, blues, modern classical, and doo wop guided him down a path that would see him seamlessly merge those and other styles of music into something that could only be called his own. Fast forward to the mid ’60s when Zappa and his Mothers of Invention landed their first record deal with Verve Records, oddly, one of the world’s top modern jazz labels. Zappa’s debut album, Freak Out! immediately established him as one of rock’s strangest yet most respected new voices. What followed over the next 30-odd years was a series of albums, both with, and without the Mothers of Invention, that built perhaps one of popular music’s biggest cult followings. Never forgetting the diverse music that inspired him, Zappa occasionally released modern classical and jazz albums along the way. In 1982, Zappa released what would be his biggest hit single, “Valley Girl,” a song that helped launch a pop culture fad that is still mimicked to this day. In 1985, Zappa found himself reaching perhaps his biggest audience by testifying during the senate hearings that eventually forced the record industry to label albums that contained “offensive” lyrics. Zappa, of course felt that was a form of censorship and was their in defense of his fellow songwriters. Ironically, the stickering completely backfired as such labeling only made the “offensive” albums more attractive to young teens. In 1990, Zappa was diagnosed with prostate cancer. Although he continued to record, his focus was primarily on classical music during his final years. Frank Zappa was 52 when the cancer finally took his life on December 4, 1993.
Paul Bryant was a respected jazz keyboardist who played a key role in the development of the west coast jazz sound. His talent earned him the nickname of the “Central Avenue Kid.” L.A.’s Central Avenue was the epicenter of the local jazz scene during the ’50s and ’60s. Over the course of his career, he released eight albums on such respected labels as Pacific Jazz, and toured the world. On December 4, 2009, Paul Bryant passed away at the age of 76.