Leroy Carr was a blues singer, songwriter and pianist who didn’t quite fit the old blues man stereotype of the day. As a suave young man from Indianapolis, his style of crooning would be more Nat King Cole than Muddy Waters; more Ray Charles than Robert Johnson. And because of (or in spite of) that, he was one of the most popular blues men of the Depression era. Some of his most popular recordings were with Scrapper Blackwell, with whom he recorded some 100 sides. His most famous song, “How Long Blues,” was later covered by Eric Clapton. Carr passed away of the effects of alcohol at just 30.
If Delta Blues has a flash point, it was most likely Charley Patton. His gritty voice, passionate singing and flashy guitar playing made him a local celebrity throughout the juke joints and plantation dances of the 1920s South. He’s influenced no less than John Lee Hooker, Muddy Waters and Robert Johnson. As stated at allmusic.com, “He epitomized the image of a ’20s sport blues singer: rakish, raffish, easy to provoke, capable of downing massive quantities of food and liquor, a woman on each arm, with a flashy, expensive-looking guitar fitted with a strap and kept in a traveling case by his side, only to be opened up when there was money or good times involved.” Charley Patton was indeed the blues’ first superstar. He died of heart failure on April 28, 1934. Although his actual date of birth remains a mystery, most believe he was 34 when he died.
Otis Spann was one of greatest blues pianists to come out of post-war Chicago. And some consider him the greatest, period. Spann gigged around mostly on his own throughout much of his teens and then joined up with Muddy Waters in 1952. He appeared on nearly every one of his Chess recordings. Oddly, Chess failed to recognize his talents as a singer, so he left to record for Candid, Vanguard, Storyville and others. Otis Spann would have no doubt earned the fame he deserved had he lived past the age of 40. He died of liver cancer on April 24, 1970
As a much in-demand bass guitar journeyman, Rick Grech landed the ultimate rock dream job in 1969 when he was nabbed to play alongside Eric Clapton, Ginger Baker, and Steve Winwood in the newly formed Blind Faith. After a disappointing start, Blind Faith disbanded so Grech stayed on with Winwood in the reformed Traffic. However, Grech’s drug use got in the way, so he was let go from the band and went on to do session work for the likes of Rod Stewart, Muddy Waters and Ronnie Lane. By the mid-70s, Grech grew frustrated with his career and tired of the music industry in general so he retired and went into the carpet business. His drug of choice became alcohol which reportedly led to his death from liver and kidney failure at just 43.
Richard Manuel was a Canadian multi-instrumentalist and singer who is best remembered as a long-time member of perhaps the greatest “back up” band in history, the Band. Manuel first started working with his former Band mates when, at just 17, he joined rockabilly great, Ronnie Hawkins’ backing band, the Hawks. About two years later, that unit morphed into the Band, which would count Manuel, Levon Helm, Rick Danko, Robbie Robertson and Garth Hudson as its most celebrated members. Manual mostly played piano in the group. When Bob Dylan decided to go electric during the mid ’60s, it was the Band he called to serve as his backing band. And when he went on hiatus after being injured in a motorcycle accident in 1967, the Band holed up in a big pink house in Woodstock, New York to record what would become their acclaimed debut album, Music From Big Pink. Manuel wrote its “Tears of Rage” (with Dylan), “In A Station,” “We Can Talk,” and “Lonesome Suzy.” The band continued to release respected albums and collaborate with other performers, all culminating in a remarkable “farewell concert” on Thanksgiving Day, 1976. In front of an unsuspecting audience, the Band gave the show like no other, sharing the stage with such invited guests and admirers as Neil Young, Joni Mitchell, Neil Diamond, Dylan, Eric Clapton, Muddy Waters, Van Morrison and more. Each artists’ performance was arguably the single greatest of their careers. The evening was captured on film by Martin Scorsese and released as The Last Waltz, considered one of rock music’s greatest concert films. Sadly however, Manual was a chronic substance abuser along the way. His inner demons finally got the best of him when, on March 4, 1986, he hung himself in his hotel room after a show. Richard Manual was 42 when he died.