Died On This Date (July 11, 2014) Charlie Haden / American Jazz Great
themusicsover Charlie Haden
August 6, 1937 – July 11, 2014
Charlie Haden was an American jazz bassist who was most notably part of the Free Jazz movement of the ’50s and ’60s. It was his work in Ornette Coleman‘s quartet during that time that endeared him to fans and critics alike. The Coleman albums on which he played been called “game changers”, but it was 1959’s The Shape Of Jazz To Come that is considered a landmark of the genre. During the late ’60s and early ’70s, Haden worked with the great Keith Jarrett, playing on several albums that received critical acclaim as well. In 1969, Haden formed the Liberation Music Orchestra whose output was more politically based, with Carla Bley contributing heavily. Haden’s most commercially successful period began in the late ’80s with the formation of his Quartet West. The configuration released albums well into the 2000s, The list of artists with whom Haden recorded over the years was not limited to jazz and includes Elvis Costello, Ginger Baker, Beck, Yoko Ono, Ringo Starr, and Robert Downey Jr. Haden’s children have enjoyed careers in music as well – his son Joshua Haden is a member of the indie rock band, Spain, while his triplet daughters, Petra Haden, Tanya Haden, and Rachel Haden make up the acclaimed alt-country band, the Haden Triplets. Charlie Haden was 77 when he passed away on July 11, 2014, following a lengthy illness.
What You Should Own
Lee Hazlewood was a country singer, songwriter, musician and producer whose work with Nancy Sinatra during the ’60s are essential records of the era. Hazlewood settled in Arizona as a disc jockey after being leaving the military in the early ’50s. He soon partnered with Duane Eddy as a songwriter and producer on such hits as “Peter Gunn.” During the mid ’60s, he began working with Nancy Sinatra, writing and producing “These Boots Are Made For Walking,” and many more. Hazelwood all but retired from music during the ’70s, but his songs lived on having been covered by such unlikely artists as Megadeth, Beck, Nick Cave, Lydia Lunch and the Tubes. He died of renal cancer at the age of 78.
Gerald McCabe was the founder of Santa Monica, California’s McCabe’s Guitar Shop, a popular instrument store as well as beloved concert venue. Opened in 1958, the club became the focal point of the folk scene of the ’60s and continues to host the most respected singer-songwriters to this day. Over the years, the store’s intimate backroom stage has presented the likes of Linda Ronstadt, Beck, 
Although he was small in stature, picked the guitar lightly, and sang almost in a whisper, Mississippi John Hurt’s influence on folk and blues was huge. He learned to play the guitar before he was ten, and by the early 1920s, he had already been playing in front of crowds at local barn dances. In 1928, and on the recommendation of a friend who had recently won an Okeh Records contract in a talent contest, Hurt was asked to audition for the label. He was signed that same year and given two recording sessions that produced collection of sides that sadly, never had a chance to develop since Okeh soon went under due to the Great Depression. Hurt soon retired from the music business and went back to his life as a sharecropper. Fast forward about 35 years to 1963. The folk revival was in full swing when music historian, Tom Hoskins heard those old recordings and sought out to find Hurt. He tracked him down still living in Avalon, Mississippi and convinced him to move to Washington DC and relaunch his music career. Hurt’s set at the 1964 Newport Folk Festival was that of legend, and he was subsequently signed to legendary folk label, Vanguard Records. He went on to tour the country and even perform on the Tonight Show With Johnny Carson. Hurt’s music influenced a new generation of singer-songwriters from blues to country to folk. Mississippi John Hurt died of a heart attack on November 2, 1966. In 2001, Morgana Kennedy and the folks at Vanguard records released Avalon Blues: A Tribute to the Music of Mississippi John Hurt. It contained versions of John Hurt songs by the likes of Lucinda Williams, Steve Earle, Ben Harper, Beck and John Hiatt.
Skip James was a hard living bootlegger, a sharecropper and a hard laborer. But above all, he was one of the most influential of the early Delta bluesmen. With a unique and highly sophisticated style of picking coupled with a ghostly falsetto voice, James was indeed one of a kind. His form of playing and singing was a direct influence on many, such as 