Bill Barth was a festival planner and blues guitarist who is perhaps best remembered for being with John Fahey and Henry Vestine when the found early blues great, Skip James in a Mississippi hospital and relaunched his career in 1964. As a musician, Barth helped form blues rock band, The Insect Trust who were likened to Jefferson Airplane and Fairport Convention. The band, which also included Elvin Jones and future rock critic, Robert Palmer, released two albums. During the mid ’60s, Barth founded the Memphis Valley Blues Society which produced five festivals during the late ’60s and featured the likes of Bukka White, Mississippi Fred McDowell, and Sleepy John Estes. Bill Barth was 57 when he passed away on July 14, 2000.
Clarence White started his professional career as founding guitarist for the Kentucky Colonels, a progressive bluegrass outfit formed with his brothers. The Colonels were making a name for themselves in the Los Angeles area in the early ’60s, but their dreams of fame were soon derailed by the one-two punch of the British Invasion, and Bob Dylan going electric. White quickly found plenty of session working on records by the likes of the Monkees, International Submarine Band, and the Flying Burrito Brothers, after which he landed with the Byrds. His tenure with the Byrds started in 1966 with the California-country years of Gram Parsons, a perfect home for his style of playing. In the years following the Byrds break-up, White went back to session work, working with Randy Newman and Jackson Browne. He also joined a bluegrass “supergroup” called Muleskinner, playing alongside Peter Rowan, David Grisman, Bill Keith and Richard Green. Muleskinner’s contemporary sound would be the foundation of what would later be called “new grass.” Then in the early morning hours of July 14, tragedy struck. While loading gear into his car after a Kentucky Colonels reunion gig, White was struck and killed by a drunk driver. He was just 29.
Michael Kenfner was a long time record company executive that got his start working for Ahmet Ertegun at Atlantic Records during the ’70s. Throughout his career, he was instrumental in the successes of Laura Branigan, AC/DC, Genesis, Yes, Cher, and in particular, the Blues Brothers, with whom he appeared in the film of the same name. Michael Klenfner died of congestive heart failure at the age of 62.
Malcolm Owen was the lead singer for British band, the Ruts, who scored a UK Top 10 hit with “Babylon’s Burning.” The reggae influenced punk band was part of an organization called the People Unite Collective and therefore very active in anti-racist causes. And although several of their songs had an anti-drug message, Owen died of a heroin overdose on July 14, 1980 at the age of 26.
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Arthur “Killer” Kane was the original bassist for the New York Dolls, the ’70s glam proto-punk band that unknowingly launched thousands of bands in their fiery wake. Just after graduating high school, Kane joined Actress, a group that consisted of future Dolls, Billy Murcia, Johnny Thunders and Rick Rivets. When Thunders grew tired of being lead singer, David Johansen came on board and the band was rechristened, New York Dolls. Sylvain Sylvain soon followed. Influenced equally by American R&B, punk, early Rolling Stones and the Detroit rock of the Stooges and MC5, the Dolls, delivered a sonic blast of primitive rock ‘n roll and a dynamic stage show fronted by the wild antics of Johansen. And as in-your-face as Johansen was, Kane stood stoic by his side, earning the tagline, “the only living statue in rock-and-roll.” In 1975, Thunders and Nolan left and Kane was fired, leading to the break-up of the band. Not really able to get much going post-Dolls, Kane moved to Los Angeles and for the most part, moved on from music. In the late ’80s, Kane became a Mormon and eventually found work in their Family History Center at their Los Angeles temple. In 2004, Morrissey offered the surviving Dolls (Kane, Sylvain, and Johansen) a slot at the Meltdown Festival in London. The band reunited, for the show and went on to record their first album in over 30 years. Sadly, just three weeks after the Meltdown show, Kane went to a Los Angeles hospital believing he caught the flu on the trip. He learned he actually had leukemia and was dead within a few hours. A fascinating and heartfelt documentary entitled New York Doll chronicles Kane’s post Doll’s life and his reunion with the band.
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