Singer

Parthenon Huxley, Power Pop Craftsman and ELO Part II Guitarist, Dies at 66

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Parthenon Huxley, the gifted songwriter, producer, and guitarist whose melodic instincts made him a quiet pillar of modern power pop, passed away peacefully on January 30, 2026. He was 70.

Born Richard Miller on January 19, 1956, in Baton Rouge, Louisiana, Parthenon Huxley, who drew his professional name from a love of Greece and Aldous Huxley, was a gifted songwriter, producer, and guitarist whose melodic instincts made him a foundation of modern power pop.

He first gained recognition in the early 1980s with the Spongetones, a band whose jangling guitars and airtight harmonies earned them lasting admiration among power pop fans and fellow musicians alike. Though mainstream success proved elusive, the group’s influence endured, shaping a generation of artists who valued precision and harmony.

After relocating to Los Angeles, Huxley launched a solo career that revealed the full depth of his songwriting voice. Albums such as Sunny Nights and Deluxe highlighted his gift for economy and melody, pairing bright hooks with thoughtful arrangements and a producer’s ear for detail.

Huxley later joined ELO Part II (later renamed the Orchestra), touring extensively and helping bring the band’s catalog to audiences around the world. His playing balanced technical precision with restraint, always in service of the song.

Beyond the stage, Parthenon Huxley earned wide respect as a producer, collaborator, and musical director. In the studio, he was known for patience and preparation, someone who understood that the smallest decisions often shaped the strongest records.

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Bob Weir, Grateful Dead Co-Founder and Rhythmic Soul, Dies at 78

Bob Weir, 1975. Photo Credit: via Wikimedia

Bob Weir, the guitarist, singer, songwriter and co-founder of the Grateful Dead who helped shape more than half a century of American music, died January 10, 2026, at the age of 78. He passed peacefully, surrounded by family, after complications related to long-term lung illness following cancer treatment.

For millions of fans, Weir was never just a band member. He was a presence. A guide. A steady hand in the middle of music that could wander for hours and still feel like home.

Born October 16, 1947 in San Francisco and raised in nearby Atherton, Weir found his future in a chance teenage meeting with Jerry Garcia in Palo Alto. That encounter sparked one of the most unlikely and influential partnerships in American music. Within a few years, they had formed what would become the Grateful Dead, a band that rejected pop formulas and embraced open-ended improvisation, turning concerts into living, breathing events.

Weir’s guitar style was singular. While Garcia soared and soloed, Weir built a rhythmic framework that was loose, jazzy, percussive and constantly shifting. He rarely played traditional rhythm guitar, instead weaving chord fragments, counter-melodies and syncopated pulses that gave the Dead their elastic feel. It was subtle, but it was essential.

As a songwriter and vocalist, Weir gave the band some of its most enduring material. “Sugar Magnolia,” “One More Saturday Night,” “Truckin’,” “Cassidy” and “Mexicali Blues” carried a sense of joy, mischief and American wanderlust that balanced Garcia’s more introspective side. His voice had a conversational warmth that made the songs feel like invitations rather than performances.

Before long, the Dead became a culture, a lifestyle. Their fans followed them from city to city, trading tapes, stories and shared experiences. Weir was at the center of that world, approachable, curious, and deeply aware that the relationship between the band and the audience was as important as the music itself.

When Garcia died in 1995, many assumed the story was over. Weir refused that idea. He kept the music moving forward through RatDog, the Other Ones, Furthur, and eventually Dead & Company, introducing the Dead’s music to a new generation of listeners. His partnership with John Mayer in Dead & Company surprised skeptics and ultimately won them over, proving that the music could evolve without losing its soul.

In the summer of 2025, even while dealing with serious health issues, Weir returned to Golden Gate Park for three nights celebrating 60 years of music. Those shows were emotional, powerful, and filled with gratitude. They felt less like a farewell and more like a final statement of purpose: this music still mattered, and so did the community around it.

Weir never spoke about legacy in grand terms, but he understood the weight of what he helped create. He often said that the same song could become something new every time it was played, and that idea became a guiding principle for his entire career. Nothing was fixed. Everything was alive.

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Richard Smallwood, Contemporary Gospel Great, Dies at 77

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Richard Smallwood, the Grammy-nominated gospel singer, composer, pianist, and choir leader whose music reshaped modern gospel with classical discipline and emotional depth, died on December 30, 2025. He was 77. His death was attributed to complications from kidney failure.

Born in Atlanta on November 30, 1948, and raised in Washington, D.C., Smallwood displayed extraordinary musical ability at an early age, teaching himself piano and organizing his first gospel group while still a child. He later studied music at Howard University, graduating cum laude, and became a founding member of the school’s pioneering gospel ensemble, the Celestials.

In 1977, Smallwood formed the Richard Smallwood Singers, a group that brought refined arrangements, rich harmonies, and spiritual intensity to contemporary gospel. Their 1982 self-titled debut spent an extraordinary 87 weeks on Billboard’s Spiritual Albums chart, establishing Smallwood as one of Gospel’s revered new voices while opening the door to a string of influential recordings throughout the 1980s and 1990s.

Smallwood earned eight Grammy nominations over the course of his career and became widely respected for compositions that balanced technical sophistication with congregational power. His 1996 live album Adoration: Live in Atlanta introduced “Total Praise,” a song that became one of the most enduring works in modern gospel, performed by choirs and worship leaders across denominations and continents.

His writing extended beyond the church world. “I Love the Lord” gained international recognition when recorded by Whitney Houston for The Preacher’s Wife soundtrack, while other compositions such as “Center of My Joy” became staples for gospel artists and choirs alike. Smallwood’s influence could be heard not only in gospel, but in R&B and pop, where his harmonic language and emotional directness resonated with artists across genres.

In addition to his work as a performer and composer, Smallwood was a mentor and educator, deeply invested in the spiritual and musical development of younger artists. He later earned a master’s degree in divinity, reflecting a lifelong commitment to faith that remained inseparable from his art.

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Brigitte Bardot, French Actress and ’60s Pop Singer, Dead at 91

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Brigitte Bardot, the French actress, singer, and cultural icon whose voice helped soundtrack the 1960s, died on December 28, 2025. She was 91.

Born in Paris on Septmber 28, 1934, Bardot became one of the most recognizable figures of postwar Europe, but her impact extended well beyond cinema. As youth culture reshaped France in the late 1950s and early ’60s, Bardot quietly built a parallel career in music, recording dozens of songs that captured the flirtation, freedom, and emotional looseness of the era. Her voice, intimate and conversational rather than traditionally powerful, fit naturally within the emerging yé-yé movement and the broader chanson tradition.

Between the late 1950s and early 1970s, Bardot recorded more than a dozen albums and appeared on countless soundtracks tied to her films. Music was never treated as a side project. It was another outlet for expression, one that mirrored her screen persona while offering a more personal, understated presence. Songs like “Sidonie” revealed a playful vulnerability, while her recordings often leaned into mood and phrasing rather than vocal precision.

Her most enduring musical partnership came through her collaborations with Serge Gainsbourg. Their 1968 duet “Bonnie and Clyde” became a defining moment, merging pop minimalism with cinematic storytelling and solidifying Bardot’s place within France’s modern musical canon. The pairing symbolized a broader cultural shift, blurring the lines between film, fashion, pop, and provocation.

Although her records rarely chased international chart dominance, Bardot’s musical legacy proved influential. Her work resonated with artists drawn to European pop’s understated cool and remains a reference point for musicians exploring intimacy over spectacle. The aesthetic she embodied, equal parts aloof and emotionally open, helped define an era’s sound as much as its look.

In 1973, Bardot stepped away from acting and recording altogether, turning her focus toward animal rights activism and founding the Brigitte Bardot Foundation.

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Don Bryant, Memphis-Born R&B Singer and Songwriter, Dies at 83

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Don Bryant, the Memphis-born R&B singer and songwriter whose emotionally direct writing and gospel-honed voice helped shape the legacy of Hi Records, died on December 26, 2025. He was 83. Bryant was born on April 4, 1942, in Memphis, Tennessee.

Raised in the church, Bryant began singing gospel at an early age, a foundation that would inform the intensity and conviction of his later soul recordings. He emerged in the late 1960s as a solo artist, cutting a series of impassioned singles that blended Southern soul with spiritual urgency. Tracks such as “How Many More Years” and “There’s a Better Day Coming” earned him a devoted following, even if mainstream success remained elusive.

Bryant’s most lasting impact came as a songwriter. As a key contributor to Hi Records, he helped define the label’s understated yet emotionally potent sound. His writing credits include “I Can’t Stand the Rain,” co-written with Bernard Miller and recorded by Bryant’s wife, Ann Peebles, along with “98.6 Degrees (The Shade)” and “You’re What’s Happening (In the World Today).” Working closely with producer Willie Mitchell, Bryant’s songs became central to the Memphis soul canon.

After stepping away from the music industry for several decades to focus on family life, Bryant returned with Don’t Give Up on Love in 2017. The album was widely praised, with critics noting that his voice, though aged, carried even greater emotional depth and authority.

In his later years, Bryant was widely recognized as a revered figure in Southern soul, celebrated for songwriting that valued honesty over flash and feeling over excess. His work continues to resonate through samples, covers, and reissues, reaffirming his place in the lineage of Memphis music.

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