Singer

John Hammond Jr., acclaimed blues musician, dies at 83

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For more than six decades, John Hammond Jr. lived inside the blues, not as an archivist or revivalist, but as a working musician who believed the music only mattered if it stayed alive. He died on February 28, 2026. Armed with a resonator guitar, a harmonica rack, and a voice worn in by decades on the road, he brought the sounds of the Delta, Chicago, and the Piedmont onto stages around the world, night after night, song after song.

Born in New York City in on November 13, 1942, Hammond was steeped in music from the start. His father, the legendary producer and talent scout John Hammond, helped introduce artists like Billie Holiday, Bob Dylan, and Aretha Franklin to the world. But Hammond Jr. chose a different lane. Rather than shaping the culture from behind the scenes, he stepped into the spotlight, committing himself fully to the blues and to the musicians who built it.

Emerging from the Greenwich Village folk and blues scene in the early 1960s, Hammond quickly earned respect for his authenticity and depth. He didn’t treat the blues as nostalgia or costume. He played it as living language. Over the years, he recorded more than 30 albums, often spotlighting traditional material alongside originals, and he toured relentlessly, long after many of his peers slowed down.

Along the way, Hammond crossed paths with future legends early in their careers and earned admiration from generations of players who recognized his feel, restraint, and devotion to the form. Awards followed, including a Grammy and multiple Blues Music Awards, but acclaim was never the point. The work was.

John HammondJr.’s legacy isn’t defined by radio hits or chart positions. It lives in the way he honored the blues as a conversation across time, one that required humility, listening, and commitment. He understood that the music didn’t belong to him. He belonged to it.

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Neil Sedaka, a songwriter’s songwriter dies at 86

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Neil Sedaka, the Brooklyn-born singer-songwriter whose melodic instincts helped shape the first great wave of American pop and whose unlikely 1970s comeback reaffirmed the power of a perfectly built song, died on February 27, 2026. He was 86.

Born March 13, 1939, Neil Sedaka emerged at the dawn of the Brill Building era as a teenager with classical training, a keen ear for hooks, and a voice that carried both innocence and ache. His early run of hits including “Oh! Carol,” “Calendar Girl,” “Happy Birthday Sweet Sixteen,” and the indelible “Breaking Up Is Hard to Do” defined the emotional grammar of early-1960s pop, capturing teenage longing with precision and economy. These were not novelty singles or passing chart fodder. They were durable songs, engineered to last.

Working closely with lyricist Howard Greenfield, Sedaka proved equally adept as a writer for others. His catalog includes Connie Francis’ “Stupid Cupid” and, later, Captain & Tennille’s “Love Will Keep Us Together,” a reminder that his melodic reach extended well beyond his own recordings. His songs traveled easily across voices, formats, and generations.

When shifting tastes and the British Invasion pushed many of his peers aside in the mid-1960s, Sedaka regrouped rather than retreated. His resurgence in the 1970s, aided by Elton John’s Rocket Records, produced a second act few pop songwriters ever achieve. “Laughter in the Rain” and “Bad Blood” returned him to the top of the charts, not as a nostalgia figure, but as a contemporary hitmaker who had adapted without compromising his core strengths.

Across seven decades, Sedaka remained committed to craft. He believed in melody, structure, and emotional clarity, and he never treated pop songwriting as disposable. His influence can be heard in generations of writers who followed, whether they recognized it or not.

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Willie Colón, Architect of Modern Salsa, Dead at 73

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William Anthony “Willie” Colón, the Bronx-born trombonist, bandleader, producer, and one of the defining voices of salsa music, has died at the age of 75. Born on April 28, 1950, in New York City, Colón emerged from the vibrant streets of the South Bronx to reshape the sound and spirit of Latin music.

For more than five decades, Colón pushed the boundaries of what salsa could be, uniting Afro-Caribbean rhythms with jazz, soul, and street-wise energy while bringing the trombone to the forefront. His early collaborations with Héctor Lavoe helped define a raw, compelling era of the genre, and his later work with artists like Rubén Blades broadened his artistic reach and social impact.

Colón’s music was more than entertainment; it was commentary on life in the barrios, on identity, pride, and struggle. Whether through blistering brass lines or the storytelling pulse of his arrangements, he gave voice to generations of Latinx listeners and beyond. As a producer and mentor, he opened doors for countless artists who carried salsa into new landscapes.

Beyond the stage, Colón was deeply engaged in civic and cultural causes, advocating for his community and using his platform to champion social issues relevant to Latin America, immigrant rights, and urban youth. His influence transcended music, touching politics and activism with the same boldness he brought to his sound.

Willie Colón passed away on February 21, 2026, leaving behind a rich, enduring musical heritage that will echo for generations.

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Brad Arnold, Co-Founding Frontman of 3 Doors Down, Dies at 47

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Brad Arnold, the singer and co-founder of 3 Doors Down, died on February 7, 2026, after a long battle with stage four kidney cancer.

Born September 27, 1978, in Escatawpa, Mississippi, Arnold’s musical instincts took shape early. As a teenager, he wrote “Kryptonite” during a high school algebra class, a song that would soon escape its modest beginnings and become one of the most ubiquitous rock singles of the early 2000s. Its success helped usher in a new era of post-grunge radio dominance and established Arnold as a songwriter with an instinct for melody and emotional directness.

In 1996, Arnold formed 3 Doors Down with childhood friends, initially serving as the band’s drummer before stepping forward as lead singer. Their debut album, The Better Life, released in 2000, was an immediate commercial breakthrough, eventually selling millions of copies and yielding a string of hits including “Kryptonite,” “Here Without You,” and “When I’m Gone.”

Over the years that followed, 3 Doors Down maintained a steady presence on rock radio with a run of successful albums, Grammy nominations, and extensive touring. Arnold’s songwriting leaned toward clarity and emotional accessibility, favoring straightforward narratives over flash. His voice, familiar and unforced, became the band’s defining signature.

In 2025, Arnold publicly revealed his cancer diagnosis, leading the band to cancel touring commitments as he underwent treatment. Throughout his illness, he remained open with fans, sharing updates with honesty and resolve.

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LaMonte McLemore, co-founder of The 5th Dimension dies at 90

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LaMonte McLemore, a founding member of the 5th Dimension and a celebrated celebrity and sports photographer, died Tuesday morning, February 3, at his home in Las Vegas. He was 90. McLemore passed from natural causes following a stroke suffered several years ago and was surrounded by his wife of 30 years and family.

As a core voice in the 5th Dimension, McLemore helped shape a sleek, genre-blending sound that reshaped American pop and soul in the late 1960s and early 1970s. The group scored era-defining hits including “Up, Up and Away” and “Aquarius/Let the Sunshine In”, earning Grammy Awards for Record of the Year in 1968 and 1970. Both recordings were later inducted into the GRAMMY Hall of Fame. The “Aquarius/Let the Sunshine In” medley topped the Billboard Hot 100 for six weeks in the spring of 1969 and remains one of the signature recordings of its generation. Other major hits included the Number 1″ Wedding Bell Blues”)” and the enduring “Stoned Soul Picnic,” alongside seven gold albums and six platinum singles.

Born September 17, 1935, in St. Louis, Missouri, McLemore served in the United States Navy, where he trained as an aerial photographer, launching a lifelong parallel career behind the camera. He later pursued professional baseball in the Los Angeles Dodgers’ farm system, becoming one of the first African Americans to participate, before settling in Southern California and turning fully to music and photography.

McLemore co-founded the 5th Dimension in Los Angeles alongside Billy Davis Jr., Florence LaRue, Marilyn McCoo, and Ron Townson. Known for his warm bass vocals and steady presence, he helped anchor the group’s sophisticated harmonies and modern pop sensibility. The group became fixtures on television variety shows and toured internationally, including a 1973 State Department cultural tour that brought American pop music behind the Iron Curtain.

Away from the stage, McLemore built a distinguished reputation as a photographer, capturing athletes, entertainers, and cultural figures across decades. His work appeared regularly in Jet magazine and stands as a visual chronicle of 20th-century popular culture.

In recent years, McLemore and the 5th Dimension reached new audiences through their appearance in Questlove’s Oscar-winning documentary Summer of Soul (…Or, When the Revolution Could Not Be Televised), which revisited the 1969 Harlem Cultural Festival and its lasting impact.

In 2014, McLemore co-authored the autobiography From Hobo Flats to The 5th Dimension: A Life Fulfilled in Baseball, Photography, and Music, reflecting on a life that moved fluidly between music, photography, and sports. His legacy endures through recordings that continue to resonate and images that captured history as it happened.

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