Rock

Fred Smith, Bassist and Founding Member of Television, Dead at 77

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Fred Smith, born April 10, 1948, in New York City, the bassist whose disciplined, melodic playing helped anchor Television at the height of New York’s punk-era explosion, passed away on February 5, 2026 following a long illness. He was 77.

Smith joined Television in 1975, stepping into the band after the departure of Richard Hell. His entrance quietly reshaped the group’s internal balance. Where punk often leaned on volatility, Smith brought steadiness, patience, and an instinct for structure, giving Television’s music its sense of control beneath the tension.

That role is etched most clearly into the band’s 1977 debut, Marquee Moon. As guitars stretched, twisted, and collided, Smith’s bass lines held the center, providing a calm, deliberate pulse that allowed songs to expand without drifting apart. His playing rarely called attention to itself, yet it defined the band’s sound, acting as the stabilizing force between Tom Verlaine and Richard Lloyd. Television followed with Adventure in 1978 before splitting soon after.

In the years that followed, Smith remained active, contributing to solo work by Verlaine and Lloyd and returning when Television reunited for their 1992’s Television and subsequent performances.

Away from the stage, Smith built a life far removed from music. In 1999, he and his wife, artist Paula Cereghino, began making wine in their New York apartment, eventually moving production upstate and formally establishing Cereghino Smith Winery in 2007. It was a second act defined by the same qualities that shaped his music: care, precision, and attention to detail.

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Chuck Negron, Three Dog Night Co-founder Dies at 83

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Chuck Negron, the soaring tenor whose voice powered some of the most recognizable hits of late-60s and early-70s rock, has died at the age of 83. A founding member of Three Dog Night, Negron passed away on February 2, 2026, at his home in Studio City, California, following a period of declining health.

Born Charles Negron II on June 8, 1942, in Manhattan and raised in the Bronx, Negron found music early, singing in neighborhood doo-wop groups before relocating to Los Angeles on a basketball scholarship. Music soon eclipsed athletics, and in 1967 he joined Danny Hutton and Cory Wells to form Three Dog Night, a band built on vocal power, tight harmonies, and an uncanny instinct for great songs.

Negron’s voice quickly became the group’s emotional center. His performances on “One,” “Easy to Be Hard,” “An Old Fashioned Love Song,” and “The Show Must Go On” showcased a rare combination of range, clarity, and raw feeling. That voice reached its widest audience with “Joy to the World,” the band’s defining single and one of the most ubiquitous songs of its era. Between 1969 and 1974, Three Dog Night placed more songs on the charts than almost any other American act, turning outside compositions into radio staples and selling tens of millions of records worldwide.

Behind the success, Negron struggled. As fame intensified, so did his battle with addiction, a fight that eventually fractured relationships within the band and derailed his career. By the mid-1980s, he was out of Three Dog Night and facing the consequences of years of excess. His recovery was neither quick nor easy, but it proved enduring. After achieving sobriety in the early 1990s, Negron rebuilt his life, returned to music, and spoke openly about his experiences, offering hard-earned perspective rather than revisionist myth.

In later years, health issues limited his ability to tour, but his legacy never dimmed. His voice remained a benchmark for rock singers, admired for its power without strain and its emotional directness. Late in life, Negron reconciled with former bandmates, closing a long and complicated chapter with grace.

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Parthenon Huxley, Power Pop Craftsman and ELO Part II Guitarist, Dies at 66

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Parthenon Huxley, the gifted songwriter, producer, and guitarist whose melodic instincts made him a quiet pillar of modern power pop, passed away peacefully on January 30, 2026. He was 70.

Born Richard Miller on January 19, 1956, in Baton Rouge, Louisiana, Parthenon Huxley, who drew his professional name from a love of Greece and Aldous Huxley, was a gifted songwriter, producer, and guitarist whose melodic instincts made him a foundation of modern power pop.

He first gained recognition in the early 1980s with the Spongetones, a band whose jangling guitars and airtight harmonies earned them lasting admiration among power pop fans and fellow musicians alike. Though mainstream success proved elusive, the group’s influence endured, shaping a generation of artists who valued precision and harmony.

After relocating to Los Angeles, Huxley launched a solo career that revealed the full depth of his songwriting voice. Albums such as Sunny Nights and Deluxe highlighted his gift for economy and melody, pairing bright hooks with thoughtful arrangements and a producer’s ear for detail.

Huxley later joined ELO Part II (later renamed the Orchestra), touring extensively and helping bring the band’s catalog to audiences around the world. His playing balanced technical precision with restraint, always in service of the song.

Beyond the stage, Parthenon Huxley earned wide respect as a producer, collaborator, and musical director. In the studio, he was known for patience and preparation, someone who understood that the smallest decisions often shaped the strongest records.

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Francis Buchholz, Former Scorpions and Michael Schenker Group Bassist, Dies

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Francis Buchholz, the steady low-end force behind Scorpions during their most successful and influential years, has died. He was 72.

Born February 19, 1954 in Hanover, Germany, Buchholz joined Scorpions in 1973, stepping into a band that was still shaping its identity and helping anchor what would become one of hard rock’s most enduring catalogs. His tenure stretched across nearly two decades, covering the group’s creative and commercial peak.

Buchholz played bass on a defining run of albums, including Fly to the Rainbow, In Trance, Virgin Killer, Taken by Force, Lovedrive, Animal Magnetism, Blackout, Love at First Sting, Savage Amusement, and Crazy World. Those albums produced some of the band’s most recognizable songs and helped Scorpions grow from European hard rock contenders into a global arena act.

While guitarists Rudolf Schenker and Matthias Jabs handled the flash and Klaus Meine delivered the voice, Buchholz brought stability, groove, and feel. His playing rarely demanded attention, but it held everything together, giving Scorpions’ music its muscle and momentum. Whether driving the speed of their heavier tracks or locking into the slower burn of their ballads, his presence was constant.

Beyond his role as a bassist, Buchholz was also involved behind the scenes, contributing to songwriting during key periods of the band’s evolution. His work helped shape the sound that carried Scorpions through the late ’70s and into the MTV era of the ’80s.

He departed the band in 1992 following Crazy World, closing the chapter on a lineup that many fans still consider the group’s classic era.

After leaving Scorpions, Buchholz remained active, including a period with the Michael Schenker Group, where his grounded, melodic bass work fit naturally alongside Schenker’s sharp-edged guitar style.

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Rob Hirst, Midnight Oil Drummer and Co-Founder, Dead at 70

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Rob Hirst, the founding drummer and rhythmic backbone of Midnight Oil, has died at age 70 following a nearly three-year battle with pancreatic cancer.

For more than five decades, Hirst helped drive one of the most important bands ever to emerge from Australia. As both drummer and songwriter, he played a central role in shaping Midnight Oil’s sound and purpose, anchoring their urgent, politically charged music with a style that was forceful, disciplined, and unmistakably his own.

Born in Camden, New South Wales, on September 3, 1955, Hirst co-founded the band in 1972 alongside guitarist Jim Moginie. With the later additions of Peter Garrett and Martin Rotsey, Midnight Oil evolved from a hard-working pub band into an international force, known as much for conviction as volume. Hirst’s drumming powered that ascent, giving the band its forward momentum while leaving room for the message to land.

He co-wrote many of the group’s defining songs, including “Beds Are Burning,” “The Dead Heart,” and “Blue Sky Mine,” tracks that carried environmental, political, and Indigenous rights issues into mainstream rock without dilution. Across thirteen studio albums, Midnight Oil built a catalog that refused neutrality, and Hirst was central to its construction.

Away from the Oils, he remained creatively restless. Hirst recorded and performed with projects including the Ghostwriters, Backsliders, the Angry Tradesmen, the Break, and his own solo work. In 2020, he released music with his daughter Jay O’Shea, a collaboration rooted in family and shared musical language. His final solo EP, A Hundred Years or More, arrived in 2025.

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