Born in Birmingham, Alabama, Jimmy Jones got his start in show business as a tap dancer after he moved with his family to New York City as a teen. By the mid ’50s, Jones was singing in local doo-wop groups, but soon went solo. In 1959, he recorded “Handy Man,” a song that he co-wrote, for Cub Records. The record soared to #3 on the US singles chart and topped the charts in the UK as well. That was quickly followed by “Good Timin,'” which did nearly as well. Each sold over a million copies. In later years, both Del Shannon and James Taylor had hits with “Handy Man.” Jones continued to perform and record, though with no other major hits, until the time of his death. He has been cited as popularizing the use of a falsetto voice in pop music, a style that was later used by the likes of Frankie Valli and the Bee Gees. During the ’90s, Jones enjoyed a resurgence in popularity thanks to the Northern Soul movement in the UK. Jimmy Jones was 82 when he passed away on August 2, 2012.
Bob Babbitt was a Pittsburgh-born journeyman bassist who can rightfully claim to have played on more than 25 gold and platinum albums along with over 200 top 10 hits. As part of the legendary Motown house band known as the Funk Brothers from 1966 to 1972, Babbitt can be heard playing on such timeless classics as Stevie Wonder’s “Signed, Sealed, Delivered,” the Temptations‘ “Just My Imagination (Running Away With Me),” Edwin Starr’s “War,” and Smokey Robinson & the Miracles‘ “The Tears Of A Clown” to name just a few. Prior to his stint at Motown, Babbitt played on several Del Shannon records, including “Little Town Flirt” and “I Go To Pieces.” Following his run at Motown, Babbitt continued his hit-record contributions as part of Philadelphia International Records’ answer to the Funk Brothers, MFSB. Within that capacity, for instance, he played on several hits by the Spinners. Babbitt also recorded or performed live with such superstars as Jimi Hendrix, Phil Collins, Jim Croce, Elton John, Frank Sinatra, Barry Manilow, and Bonnie Raitt. During the ’80s, he played on several prominent commercial jingles and even dabbled in jazz with Herbie Mann and Stanley Turrentine. In 2002, he was profiled in the award-winning Funk Brothers documentary, Standing In The Shadows Of Motown. In March of 2011, Babbitt made his last television appearance with Jacob Lusk during American Idol’s Motown Week. Bob Babbitt died of brain cancer on July 16, 2012. He was 74.
Maurice D. Davis was a respected trumpet player who, over the course of his long career, graced over 1500 recordings. After graduating from Tennessee State University and teaching for two years at Rust College, Davis found himself in Detroit, Michigan. The year was 1965, and Davis soon found himself playing in the legendary Motown session band, the Funk Brothers. During his term that lasted until 1980, Davis played on recordings by or toured with the likes of the Supremes, the Four Tops, Stevie Wonder, Lionel Richie, and the Temptations on whose “Papa Was A Rolling Stone,” he particularly shined. Beyond Motown, Davis played with Tony Bennett, Whitney Houston, Sammy Davis Jr., Dizzy Gillespie, and many more. Through all this, Davis still found time to continue his teaching. In 1997, he retired from the Detroit Public Schools after 32 years. He also taught at Wayne State University from 1980 to 1995. An ordained minister as well, Davis founded the Trumpeting High Praises Community Resources Center in Detroit in 1998. In 2002, he was featured in the critically acclaimed documentary about the Funk Brothers, Standing In The Shadows of Motown. Maurice D. Davis was 71 when he passed away on July 13, 2012. Cause of death was not immediately released.
Donna Summer (Born LaDonna Gaines) December 31, 1948 – May 17, 2012
Donna Summer was a world-renowned American R&B singer who hit her stride during the disco era. Unlike many of her contemporaries, Summer, with her mezzo-soprano vocal range, needed very little studio trickery for her vocals. Coming of age in Boston during the early ’60s, Summer spent countless hours listening to records by and imitating the likes of the Supremes and Martha & the Vandellas. By then she had already been singing in church gospel groups. As the ’60s rolled on, Summer discovered the powerhouse vocals of Janis Joplin, who, along with the early girl groups, influenced her own singing. Upon hearing Joplin sing on her Big Brother and the Holding Company records, she decided that’s what she wanted to do, so she joined her first band as lead singer, the psychedelic rock outfit, Crow. That brought her to New York City where she focused on Broadway. Her first role of significance was in the European company of Hair!. In 1975, Summer cut her first record, “Love To Love You Baby,” which although banned by most American radio stations due to its raw sexuality, became an instant smash in Europe. From there it was a deal with Neil Bogart’s Casablanca Records who began pumping an extended version of the song to underground discos and Summer’s massive gay following was born. She went on to release several albums that helped define the disco era and became the first artist to have three consecutive #1 albums that were two-record sets. During the ’80s, Summer broke away from disco by adding a more rock sound to her records, and even though she had tracks on the soundtracks for the blockbuster films, Flashdance and Fast Times at Ridgemont High, the decade was not terribly kind to her. She continued to make records well into the 2000s – some faring better than others, but for the most part were very well received. Throughout her career, Summer was recognized with five Grammy awards (17 nominations), three multi-platinum albums, 11 gold albums, an NAACP Image Award, and six American Music Awards. Her songs have been covered (or sampled) by Sheena Easton, David Guetta, Madonna, Whitney Houston, Dolly Parton, Emmylou Harris, and many more. Donna Summer passed away after a long struggle with cancer on May 17, 2012. She was 63.
Chuck Brown was an influential American guitarist, singer and songwriter who is largely credited for creating go-go, an offshoot of funk that popped up in Washington DC during the mid ’70s. What separates go-go from all the rest is its use of call-and-response, wild street percussion, and long jams. Brown got his start playing with Jerry Butler during the early ’60s. Before he knew it, he was working solo and putting out a string of hits that included “I Need Some Money” and “Bustin’ Loose,” which is used by MLB’s Washington Nationals to celebrate their home runs. Brown went on to record the theme song for The Sinbad Show during the mid ’90s. In recent years, much of his music has reached younger audiences by way of sampling – Nelly’s 2002 #1 hit, “Hot In Here” contains a portion of “Bustin’ Loose.” In 2010, Brown was nominated for his first Grammy for the song, “Love.” He has been cited as a direct influence on such go-go legends as Trouble Funk and EU and is so beloved by his hometown of Washington DC, that they named a street after him – Chuck Brown Way. Chuck Brown was 75 when he passed away on May 16, 2012.