Dr. George Butler
September 2, 1931- April 9, 2008
George Butler was producer and A&R man for Blue Note Records during the ‘70s. While there, he was instrumental in the label’s success by broadening its appeal with more R&B leaning releases by such artists as Earl Klugh, Ronnie Laws and Donald Byrd. The ‘80s found Butler in a key position at CBS Records, again helping the company reach new heights both critically and commercially by signing such acts as Brandford Marsalis, Terence Blanchard and Harry Connick, Jr. He also produced Miles Davis’ comeback album, The Man With The Horn in 1981. George Butler passed away on April 9, 2009 at the age of 76.
Thanks to Craig Rosen at Number1Albums for the assist.
Kit Lambert was the son of British composer, Constant Lambert. After a stint in the army he returned to Britain to work in film. He teamed up with director Chris Stamp to make a documentary about an unknown band. That band was the High Numbers who would later become better known as the Who. The film would never be finished asLambert decided to manage the Who instead. It was Lambert who convinced Pete Townshend to move on from their simple pops songs and start to create the more complex sounds that would result in their classic Tommy album. The resulting success of the Who ultimate lead to the demise of their relationship with Lambert who was eventually replaced. The ’70s were not good to Lambert as he continued to deal with a substance abuse problem. At one point he was made a Ward of the Court in order to avoid prison on drug charges. Because of this, he barely saw any money from the fortune that was made of off his productions of Who and Jimi Hendrix albums. Kit Lambert died on April 7, 1981 of a cerebral hemorrhage he suffered after falling down the stairs at his mother’s house.
Tony D (Born Anthony Depula)
DOB Unknown – April 4, 2009
Tony D (right) with Russell Simmons
Trenton, New Jersey’s Anthony Depula (aka Tony D) was a veteran hip hop producer who started his career as a DJ in the mid ’80s by accident. As a young fan of the music, he liked to help set up gear at parties and dances around town, so one night when the hired DJ failed to show up, he was told to get up there and do it. He never looked back. Tony D soon got into management, representing MC Serch of 3rd Base at one time. But his true calling was as a producer. Over the past two decades, he produced such as acts DJ Muggs, Young Zee, The Outsidaz, King Sun, and most famously, Poor Righteous Teachers, on their “Rock Dis Funky Joint,” a chart topping hip hop classic from 1990. Anthony Depula was killed in what initially appeared to have been a single car accident in Hamilton, New Jersey.
Beginning in the early 1960s, Marvin Gaye was one of Motown’s most celebrated songwriters and later one of their premier recording artists. In the early years, he was responsible for such classic Motown hits as “I Heard It Through The Grapevine,” and “How Sweet It Is (To Be In Love By You).” He also had several duet hits with Tammi Terrell including “Ain’t No Mountain High Enough.” But unlike the other artists on the label, he fought for and maintained his own vision and called the shots when creating his own albums. The results? What’s Going On?, Trouble Man, and Let’s Get It On. His astounding body of work continued through the mid ’80s with the release of Midnight Love and its hit single, “Sexual Healing” for which he won a Grammy for Best Male R&B Vocal Performance in 1983. After the untimely death of Tammi Terrell (1970) along with other personal troubles, not the least of which was his own crumbling marriage, Gaye took some time to reevaluate his position in life. After spending most of the year in seclusion, he resurfaced with What’s Going On?, one of pop music’s landmark albums and one that would change what we think of as “black” music forever. Allmusic.com calls it “A highly percussive album that incorporated jazz and classical elements to forge a remarkably sophisticated and fluid soul sound, [it] was a conceptual masterpiece that brought Gaye’s deeply held spiritual beliefs to the fore to explore issues ranging from poverty and discrimination to the environment, drug abuse, and political corruption; chief among the record’s concerns was the conflict in Vietnam.” Gaye continued to write and record great music throughout the ‘7os and early ’80s, but instead of being afforded the chance to enjoy his success, he spent much of his later years battling legal issues from his divorce, substance abuse, and tax troubles that caused him to flee to Europe in 1981. Within the next couple of years, Gaye patched up his differences with Motown head Barry Gordy and decided to move back to the US and into his parents home to get his life and career back on track. In 1983, a little over a year before his death, the troubled singer made a rare public appearance by singing the National Anthem before the NBA All-Star game at the Fabulous Forum in Los Angeles. It was the greatest (and in some circles the worst) rendition ever performed. At the time, the world was used to very straight ahead versions of the song, but Gaye took it into the stratosphere by injecting his own soul into it. Instead of capitalizing on that moment, Gaye’s downward spiral into depression only got worse as did his rocky relationship with his father. They fought on numerous occasions until the afternoon of April 1, 1984 when Marvin Sr. shot and killed Marvin Jr. after one of their many arguments. Gaye left behind a daughter; singer and actress, Nona Gaye.
Sam Gesser was a Canadian concert promoter who brought the likes of Joan Baez, Pete Seeger and Janis Joplin to Montreal in the ‘60s. With a career that spanned over 50 years, Gesser started as radio and television writer, later joining the Folkways label as their Canadian representative. While with Folkways, he produced over 100 albums. He switched to concert promotion in the ‘60s and produced shows and tours by Harry Belafonte, Van Cliburn, Peter, Paul & Mary, Janis Joplin, Joan Baez, Pete Seeger and many more. Gessar died of cancer on April 2, 2008 at the age of 78.