Died On This Date (April 29, 2010) Walter Sear / Synthesizer Pioneer
themusicsover Walter Sear
1930 – April 29, 2010
Walter Sear was a composer, musician, and inventor who is perhaps most celebrated as a pioneer of the music synthesizer. He began his career in music as a classical tuba player and eventually launched a successful business where he imported and sold tubas from a shop in New York City. During the early ’60s, he partnered with synthesizer inventor, Robert Moog to help him perfect and market the first commercial synthesizers. Sear went on to make synth recordings for motion pictures such as Midnight Cowboy. He also ran his Sear Sound recording studio in New York City for many years. Over the decades, artists like the Beatles, Paul McCartney, Sonic Youth, Steely Dan and Wynton Marsalis called upon Sear to outfit them with vintage synthesizers. Walter Sear was 79 when he passed away on April 29, 2010.
Norman “Hurricane” Smith was a British engineer and producer who worked closely with George Martin and who could count the Beatles, Pink Floyd and the Pretty Things among his successes. He was lead engineer on every song the Beatles ever recorded at EMI Studios. After being promoted to A&R and Producer at EMI, he signed Pink Floyd to the label. And along with his work with both Pink Floyd and the Pretty Things, he reluctantly helped usher in what would become known as psychedelic rock. In the early 1970s, Smith recorded under the name Hurricane Smith and had a couple of hits including “Don’t Let It Die” and “Oh Babe, What Would You Say?.” 
Bobby Bloom was a singer, songwriter and musician who scored a big pop hit with “Montego Bay” in 1970. The song reached #8 in the U.S. and #3 in the U.K. As a songwriter, Bloom co-penned the Bobbie Gentry and Billy Idol hit, “Mony Mony,” as well as “Sunshine,” a hit for the Archies. On February 28, 1974, Bloom was accidentally shot and killed during an altercation over a woman. His assailant was never caught.
King Tubby’s path to music success was a bit unconventional in that he was not originally a musician, singer, songwriter, or producer, but a skilled Jamaican radio repairman. As sound systems and recording equipment began to grow in popularity throughout Jamaica during the ’50s, and ’60s, so did the demand for Tubby’s skill to fix equipment was continually exposed to bad elements of the island. He soon opened his own repair shop where he put together some of the island’s best sound systems. He soon became skilled at creating sound effects like reverb and echo and was eventually working at the island’s top studios working on some of ska and reggae’s earliest records as a mixer or engineer. It was in this capacity that Tubby began experimenting in what would later be called “remixes,” a practice that he has been credited for inventing. By the ’70s, Tubby was arguably the most popular mixers in Jamaica. Though not a musician in the traditional sense, Tubby was able to manipulate the knobs and dials of a mixing board in a way that made him just as vital to the final product as any of the guitarists or drummers. By removing vocals and certain instruments from the mixes, he created a new form of music called “dub.” Over the course of his career, he mixed or remixed albums by the greatest producers in Jamaica. Tragedy struck on February 6, 1989 when King Tubby, who had just turned 48, was shot and killed in what was believed to be a random robbery. His murder was never solved.
Tom Dowd was an innovative record producer and engineer who helped develop the Atlantic Records sound thanks to hundreds of popular albums he collaborated on. A master of physics, Dowd worked on the Manhattan Project while in the Army prior to his days at Atlantic. The Manhattan Project was the code name for the development of the first atom bomb. After his time in the service, Dowd got a job in the studio at Atlantic Records where he produced or engineered albums by the likes of 