Frank Frost was a delta blues harmonica player who was arguably one of the best. He cut his musical teeth however, on guitar, most significantly as part Sonny Boy Williamson’s touring band. It was Williamson who taught him to play the harmonica. He left Williamson in 1959 and began working with drummer Sam Carr and guitarist Big Jack Johnson. It was this combo that caught the eye of legendary producer, Sam Phillips who produced his first album, Hey Boss Man!. In later years, Frost formed his own record label, Earwig Music Company to showcase his music. Frank Frost continued making records until into the late ’80s and died of cardiac arrest on October 12, 1999 at the age of 63.
Abu Talib (Born Freddy Robinson)
February 24, 1939 – October 8, 2009
Freddy Robinson, who changed his name to Abu Talib when he converted to Islam during the ’70s, was a blues singer, songwriter, guitarist and harmonica player. Very diverse in his playing, Talib was comfortable in both blues and jazz combos. During the ’50s and ’60s, he worked with Howlin’ Wolf, Little Walter and Jimmy Rogers. In the ’70s and ’80s, he played with the likes of Stanley Turrentine, Bobby “Blue” Bland, John Mayall and Blue Mitchell. He also played with Ray Charles. Abu Talib died of cancer at the age of 70.
Francis “Scrapper” Blackwell
February 21, 1903 – October 7, 1962
Scrapper Blackwell was a Piedmont blues guitarist and singer best remembered for his work with pianist, Leroy Carr, with whom he began working with during the late ’20s. Together, they recorded “How Long, How Long Blues,” which became one of 1928’s most popular records. Together Blackwell and Carr recorded some 100 songs and became one of the most popular touring acts of the early ’30s. After a bitter split between Blackwell and Carr and Carr’s subsequent death in 1935, Blackwell retired from the music business. Scrapper Blackwell made his comeback in 1958, but was shot to death during a random unsolved mugging on October 7, 1962. He was 59 years old.
Nehemiah “Skip” James
June 21, 1902 – October 3, 1969
Skip James was a hard living bootlegger, a sharecropper and a hard laborer. But above all, he was one of the most influential of the early Delta bluesmen. With a unique and highly sophisticated style of picking coupled with a ghostly falsetto voice, James was indeed one of a kind. His form of playing and singing was a direct influence on many, such as Robert Johnson, but no one has ever truly been able to replicate it effectively. James’ professional music career began in 1931 when he began recording sides of Paramount Records. James re-recorded many blues standards at the time, but it was generally his versions of the songs that later got covered by the likes of Johnson and even later, Cream,Deep Purple and Beck. As quick as James came onto the scene, he vanished. Over the next three decades, he rarely performed live and made no new recordings, becoming not much more than a footnote in blues history, until the early ’60s when he was “re-discovered” during the folk and blues revival. After being descovered by folk guitarists John Fahey, Bill Barth, and Henry Vestine in a Mississippi hospital in 1964, James’ career was put back on track. During his later years, he was a featured performer at the Newport Folk Festival and recorded for Takoma Records and Vanguard Records, where he was dubbed a “Vanguard Visionary” by future Vice-President, Dan Sell. His influence on pop culture has been felt in recent years as well. Indie rock icon, Beck covered his “He’s A Mighty Good Leader” in 1994, while Chris Thomas King recorded his “Hard Time Killing Floor Blues” for the O’ Brother, Where Art Thou flim and soundtrack. And his “Devil Got My Woman” was prominently featured both the plot of and soundtrack to the 2001 cult hit, Ghost World, starring Thora Birch and Scarlett Johansson. With his health deteriorating in later years, Skip James passed away in 1969 at the age of 69.
Victoria Spivey
October 15, 1906 – October 3, 1976
Victoria Spivey was a Houston born blues singer who came to prominence in the 1930s. Her career began with her singing at local parties and clubs while still in her teens. Before she knew it she was sharing the stage or singing on records with the likes of Blind Lemon Jefferson, Louis Armstrong and King Oliver. Spivey transitioned to film during the ’30s, appearing in such movies as Hallelujah!. She retired from show business in 1951, but made a comeback during the folk revival of the early ’60s. During her later career she recorded with the likes such greats as Otis Rush, Otis Spann, Willie Dixon, and even Bob Dylan who played harmonica and sang back-up on a 1962 recording. Victoria Spivey died of an internal hemorrhage at the age of 69.