Bobby Fuller
October 22, 1942 – July 18, 1966
Pound for pound, Bobby Fuller’s remarkable output could stack up against any of his peers even though it was cut tragically short after just two years. Songs like “I Fought The Law,” “Let Her Dance,” and “Another Sad and Lonely Night” are just a few of his classic rock ‘n roll recordings that have either been covered by major artists or cited as major influences. Growing up, Fuller idolized fellow Texan, Buddy Holly, and at an early age decided he wanted to be a rock ‘n roll singer as well. Starting in the early ’60s, Fuller began to make a name for himself in the El Paso area clubs, and by 1964, he was living in Los Angeles, chasing his dreams. It was while in Los Angeles, he formed the Bobby Fuller Four and convinced legendary producer Bob Keane to sign them to Mustang Records. Keane’s other claim to fame was discovering a young Ritchie Valens. With a sound that was equal parts Buddy Holly, Tex Mex, the Beatles, the Beach Boys, Elvis, Little Richard and the Ventures, Fuller began putting out such instant hit records as “Let Her Dance,” “Love’s Made A Fool Of You,” and of course, the great “I Fought the Law.” And then, almost as quickly as it started, it all came to a tragic and mysterious end. In what the incompetent police ruled a “suicide,” Fuller was found with multiple wounds to his body, covered in gasoline, and left for dead in a parked car outside his apartment. The scene, not only unsecured by police, was never dusted for fingerprints. Fuller’s mother claimed that the police told her that he had been dead for two hours, even though she had been with him just 30 minutes prior. And one witness even came forward claiming they saw a police officer discard a gas can into a nearby dumpster. But the case was never solved. Many speculate that the perpetrators fled the scene before they were able to burn the car and body. And adding to the mystery, the LAPD case files remain lost to this day. A 2002 novel entitled The Dead Circus by John Kaye further fuels the fire by including a “fictional” subplot that has Frank Sinatra ordering the hit on Fuller because he did not like him dating his daughter.
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